December 22 2010
Picture: New York Times/Metropolitan Museum
After a long campaign of conservation, curators at the Met in New York believe that their ‘workshop’ portrait of Philip IV is in fact an autograph work by Velasquez. It had been downgraded in 1973. The New York Times has a fascinating article, where you can see the picture before and after conservation.
Philip’s left eye had been totally obliterated, and has had to be recreated (very well I think) from other versions of the portrait. Despite appearances, the picture is actually in a relatively good state. The story is yet another example of how a picture’s condition can throw people off the scent – ‘dirty’ paintings, obscured by old varnish and over-paint, are often hard to read.
The Met’s attribution of Philip IV follows on from their earlier upgrading of Portrait of a Man from workshop to autograph.