For many decades, technical research into Rembrandt’s paintings has provided invaluable insights into his materials, techniques, and creative process. Through the combined efforts of art historians, conservators, and scientists, a steadily growing body of knowledge has transformed our understanding of his practice. Recent advances in imaging technologies and material analysis have further deepened this perspective, revealing new facets of Rembrandt’s working methods and shedding fresh light on his artistic innovations. Through fascinating case studies and in-depth investigations, the symposium will reflect on the interaction between art historians, conservators and scientists, highlighting the research methodologies employed to unravel complex art historical and scientific questions.

The ‘New Directions in Rembrandt Research’ symposium, which will consist of a full day of lectures from art historians, conservators and scientists, has been conceived and curated by Petria Noble. Recently retired from the Rijksmuseum, her contributions to Rembrandt studies, together with those of colleagues she has worked with over the years, have helped shape new directions in the field.